Genre 
A battle-hardened army officer goes in search of his ex-lover’s child who is mysteriously kidnapped. Neha reaches out to the only person who can help her with her plight, Ronnie. He goes deep into the underbelly of Goa, facing off against drug lords, menacing Russian henchmen, and bloodthirsty animals. Daring stunts, chase sequences, air strikes, bomb blasts and other large-scale action sequences will be done with a bonafide, larger than life approach, truly making it a spectacle.
Tag Archives: kidnap
Dushman
A ruthless killer is around who mercilessly rape and kill his female victims. When the killer does the same to Sonia Saigal; Naina, Sonia’s twin sister decides to take a stand at the risk of her own life by conducting an extensive investigation to ascertain information about the killer. She does manage to gather his where-about and name, Gokul. She sought assistance from a blind ex-military officer Major Suraj Singh Rathod who is preparing her to combat Gokul.
Jazbaa
Anuradha Verma(Aishwarya Rai Bachchan) is a prominent criminal lawyer and a single mother who has never lost a case. On the day of a parent-child race in her daughter Sanaya’s(Sara Arjun) school, Sanaya is kidnapped and no ransom is demanded, but instead the kidnapper contacts her and tells her that she has to defend a convicted felon to get her daughter back. The felon is Miyaaz Shaikh(Chandan Roy Sanyal) who is convicted for rape and murder of a young woman and the case against him is set for judgement in four days. The kidnapper keeps track of Anuradha very closely to make sure she complies with his demand. Anuradha gets help from her friend Yohan(Irrfan Khan) who has been suspended from the police force. The case against Miyaaz Shaikh is handed by a powerful politician Mahesh Maklai(Jackie Shroff) to a renowned public prosecutor(Atul Kulkarni) who has been defeated by Anuradha and hence has a long time professional rivalry against her. An edge of the seat thriller drama unfolds.
Guddu Rangeela
Guddu (Amit Sadh) and Rangeela (Arshad Warsi) are orchestra singers. They snoop around wealthy households in the area, gather information about the riches hidden in their lockers, tip off local gangsters and get paid for their services. That is the only way they can get by without getting their own hands dirty in a crime-prone terrain where you are only as good as your last heist. Not only do Guddu and Rangeela have to worry about a vicious goon and his trigger-happy henchmen, they also have the corrupt head of the local police outpost, inspector Ajay Singh (Amit Sial), snapping at their heels. While the younger and more impulsive Guddu wants to pull off a few burglaries himself and make a killing, the worldly wise Rangeela will have none of it.
Andaz Apna Apna
Amar and Prem are two rivals who belonging to middle-class families with no scope of future advancement. Both individually, without the knowledge of the other decide to take matters into their hands and find ways to get rich quickly. Chaos and acrimony result when both find each other at loggerheads when both arrive to win the hand of the daughter of multi-millionaire Ram Gopal Bajaj amidst considerable upheavals when Shyam, the twin brother of Ram, decides to do away with Ram and assume his identity and thus take over the estate of the Bajaj family.
Filmistaan
In Mumbai, affable Bollywood buff and wanna-be-actor Sunny, who works as an assistant director, fantasizes on becoming a heart-throb star. However, at every audition he is summarily thrown out. Undeterred, he goes with an American crew to remote areas in Rajasthan to work on a documentary. One day an Islamic terrorist group kidnaps him for the American crew-member. Sunny finds himself on enemy border amidst guns and pathani-clad guards, who decide to keep him hostage until they locate their original target. The house In which he is confined belongs to a Pakistani, whose trade stems from pirated Hindi films, which he brings back every time he crosses the border. Soon, the two factions realize that they share a human and cultural bond. The film shows how cinema can be the universal panacea for co-existence.
