Genre 
Autorickshaw driver Amal is content with the small, but vital, role he serves – driving customers around New Delhi as quickly and safely as possible. But his sense of duty is tested by an eccentric, aging billionaire, who, moved by Amal’s humility, bequeaths him his entire estate before passing away. With only one month to discover and claim the inheritance, Amal’s struggles with duty and wealth are threatened by all those around him – from a young injured beggar girl and a lovely store merchant, to the danger of the old man’s upper-caste friends and siblings, all seeking to claim their share of the riches.
Tag Archives: Naseeruddin Shah
Bazaar
Najma and Salim are in love, but their’s is a platonic relationship, as Salim is a deep thinker and prefers that women like Najma be financially independent, and not be dependent on men. On the other hand, Sarju and Shabnam are in love, and would like to get married, however, Shabnam’s dad has finalized her marriage with a much older man, who is wealthy, and has shown an interest in Shabnam. An engagement ceremoney takes place with this older gentleman, and Shabnam. Sarju, though devastated, must now attempt to convince Shabnam’s dad, as well as Shabnam’s future husband, to change their respective minds, and let him marry Shabnam, with results that will change their lives forever.
Dedh Ishqiya
Taking on from where we left the previous time Dedh Ishqiya discovers yet another journey of Khalujan (Naseeruddin Shah) and Babban (Arshad Warsi), a poetic journey underlined with revenge, drama and deception. The Begum (Madhuri Dixit) of Majidabad is hosting a festival of poetry and music in her mansion. The country’s best poets are in town. Khalujan, the Nawab of Chandpur, is participating as a poet in the festival. He is not there merely to show off his poetic wares but to impress the widowed Begum who, as the grapevine suggests, is scouting for a husband – preferably a Babban arrives in Majidabad to exact revenge on Khalujan but his plans change the moment he sets his eyes on Begum’s maid and confidant, Munira alias Muniya (Huma Qureshi), a brash and sexy young woman. Muniya too has plans of her own. She leaves the palace every now and then in a disguise to meet gangsters in dark alleys. A dangerous kidnap plan is afoot. The palace is rife with intrigue. The shayari is dropped for the guns, daring chases and true intentions and in the end, love triumphs even if the players of the story do not.
Iqbal
IQBAL is a story of an 18 year old boy from village who is deaf and dumb and whose only ambition in life is to become Indian Cricket Team’s lead and best fast bowler. You live every moment of the film. Rather Iqbal’s journey becomes your journey. He is born to a lower middle class farmer the only people who support him are Mom and sister . After being thrown out of the local cricket community by Guruji, he is trained by Mohit who is a failed fast bowler and the local drunkard.
The Dirty Picture
Imagine a nobody who became an extra and then the most wanted heroine of the early 80s. Chronicling the meteoric rise and steep fall of the erstwhile screen sensation, The Dirty Picture is set against the colorful and entertaining backdrop of the fierce male-dominated South-Indian film industry of the 80s. The quintessential siren, Silk, knew her audiences and it didn’t seem like anything would stop the ambitious starlet, till it did, in the form of unrequited love. To the world, she was the queen of sensuality. But at heart, she was just another woman yearning for love in a ruthless world.
Dharam Sankat Mein
Mr. Dharam at the age of 55 figures out that he was adopted by a Hindu family after his Muslim father left him. He then tries to meet his father who is in critical condition but the Imam tells him to become a Muslim for that. What follows next are a bunch of comical events.
